WACOM CINTIQ 21UXFeb 7, 2008 By Harris Fogel
Wacom has had a tablet bonded to a display for some time, and in the beginning the quality of the display limited the colors displayed, which meant it was primarily for graphics, animation, and layout work. However that was then and the 21-inch Cintiq 21UX is now, and in this case, “now” means the tablet is bonded to one of the highest quality display components made, and the color depth is identical to a non-tablet display. This means that it can be calibrated, and also used for color critical work. Under the terms of my NDA (Non-Disclosure Agreement) I’m not allowed to say exactly who makes the display component, but I can assure you it’s not a generic model, but one of the highest-quality LCD components on the market. In fact, that is a significant reason for the cost of the 21-inch Cintiq. Once you work with it, however it’s worth every penny, with extremely even backlighting, a wide-angle of view, and a solid, almost handcrafted feel. Setting up the Cintiq is just like setting up any other monitor, with a few twists. The DVI cable is a cinch—just plug it into your video card, and the USB cable provides tablet functionality. The next step is to set up the stand, which is unlike any stand you have ever used. Why? Well, most displays are meant to be viewed only in a vertical mode, whereas the Cintiq is meant be used on an angle or even in a horizontal position. You can even use it on your lap! The key is finding an angle and work surface that lets you draw comfortably and work on the tablet surface. I found that a slightly higher chair made a difference as well. My first challenge is that the surface where I normally work has a slew of hard drives, hubs, power supplies, and other cables, gadgets, all stashed in back of my display. This simply wouldn’t work with the Cintiq since that area was needed for the display to lie flat. The mount can adjust from almost vertical to flat, on a set of four rolling wheels, and two metal paddles on the back for quick and precise adjustments. The accompanying CD contains an optimized ICC profile for the display. I found that using the monitor with the profile provided was virtually identical to the profile I created when self-profiling. This isn’t that surprising since the LCD component is new and as such should show little drift, and the supplied profile was meticulously created using state-of-the-art color spectrometers. If anything, it speaks to the standard of quality control. The Cintiq 21UX ships with a standard Wacom Grip Pen with an eraser tip on the top end, and a set of replacement stylus inserts. The pen can nest in a holder in the back of the display, on in the supplied aluminum block that sits on your table. For anyone used to working with a Wacom tablet, all this will be old hat. Its ability to let you work directly on the image is transformational. It did take a few days for me to get used to it, but once I really started to use the tools, I realized how productive the Cintiq allowed me to be. Even though the vast majority of tools are tablet-aware with a normal tablet, the ability to work onscreen is a constant reminder of just how powerful a tool they can become. On the sides of the display are eight programmable ExpressKeys that provide quick access to modifier keys, keyboard shortcuts, and pop-up menus. My favorites were two finger-sensitive Touch Strips that allow you to slide to zoom, scroll, or other actions. You can also rotate the display 180 degrees to use as a portrait display. I was able to put the Cintiq 21UX to the test while preparing for an exhibition of my photographic work. The final prints were quite large, and because of the size they revealed every detail of the original scans, which wasn’t always a good thing. I had to literally examine the files at a pixel level, and clean up artifacts, Newton Rings, dust, and other problems, and the Cintiq 21UX turned this from a chore into a reworking of the possibilities of each image. It’s a bit pricey, but when you figure in the cost of a full-sized Wacom Intuos tablet coupled with a wide-gamut display, the price isn’t that high by comparison. Besides, being able to work directly on your images with a Cintiq 21UX is priceless. Click here for more information on the Wacom Cintiq 21UX Mac Edition Radio, created by host and executive producer Harris Fogel, web guru Andy Alm and many other leading reviewers, reporters and technology analysts, features in-depth reporting on technology, digital imaging, and photography. Fogel is also an associate professor and coordinator of the photography program at The University of the Arts in Philadelphia. Additional reviews and audio interviews can be found on the Mac Edition Radio Web site. PMA 2008 Video Coverage of the Wacom 12WX by Damon Webster, PhotoInduced.com |
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